上野裕二郎／角谷紀章／小林繭乃／瀬戸優／田尻周也／三平硝子
上野裕二郎／角谷紀章／小林繭乃／瀬戸優／田尻周也／三平硝子
Group Exhibition Part.2 with Shikisaisha Gallery
Group Exhibition Part.2 with Shikisaisha Gallery
February 17 – March 10, 2024
A group exhibition at Empathy Gallery in collaboration with SHIKISAISHA, featuring Yujiro Ueno, Kisho Kakutani, Mayuno Kobayashi, Yu Seto, Shuya Tajiri and Shoko Mihira.
A group exhibition at Empathy Gallery in collaboration with SHIKISAISHA, featuring Yujiro Ueno, Kisho Kakutani, Mayuno Kobayashi, Yu Seto, Shuya Tajiri and Shoko Mihira.
Yujiro Ueno
Born in Kyoto in 1996, Yujiro Ueno graduated from Okinawa Prefectural University of Arts in 2019 and completed a master’s degree at Tokyo University of the Arts in 2021. Through layered brushstrokes and motifs of real and imagined creatures, he explores qi and the flow of matter and spirit. His work entered the collection of the Macao Museum of Art in 2023. He became a Royal Talens ambassador in 2024 and received a civic commendation from Kameoka City, Kyoto, in 2025.
Born in Kyoto in 1996, Yujiro Ueno graduated from Okinawa Prefectural University of Arts in 2019 and completed a master’s degree at Tokyo University of the Arts in 2021. Through layered brushstrokes and motifs of real and imagined creatures, he explores qi and the flow of matter and spirit. His work entered the collection of the Macao Museum of Art in 2023. He became a Royal Talens ambassador in 2024 and received a civic commendation from Kameoka City, Kyoto, in 2025.
Mayuno Kobayashi
Mayuno Kobayashi (b. 1993, Aichi, Japan) completed her MFA in Japanese Painting at Joshibi University of Art and Design.
Grounded in the techniques of traditional Japanese painting, she transforms emotions and memories drawn from everyday life into images of animals and imaginary creatures.
Through these playful and approachable motifs, Kobayashi projects the complexities of human emotion and inner experience, weaving together personal memories and cultural influences to create a distinctive visual world.
In 2024, she held her first solo exhibition, A Delightful Abyss, at SHIKISAISHA and received the ONE ART AWARD 2024.
Mayuno Kobayashi (b. 1993, Aichi, Japan) completed her MFA in Japanese Painting at Joshibi University of Art and Design.
Grounded in the techniques of traditional Japanese painting, she transforms emotions and memories drawn from everyday life into images of animals and imaginary creatures.
Through these playful and approachable motifs, Kobayashi projects the complexities of human emotion and inner experience, weaving together personal memories and cultural influences to create a distinctive visual world.
In 2024, she held her first solo exhibition, A Delightful Abyss, at SHIKISAISHA and received the ONE ART AWARD 2024.
Yu Seto
Yu Seto (b. 1994, Odawara, Kanagawa, Japan) graduated from the Department of Sculpture at Tokyo University of the Arts and completed his MFA in Sculpture at the same university. Drawing on his interest in natural science, he creates sculptures of wild animals, primarily using terracotta. By leaving traces of his touch and the sculpting process visible on their surfaces, Seto explores the structures and movements of living beings and the essence of their existence. In addition to exhibiting in Japan and internationally, his practice extends across disciplines, including collaborations in fashion and design.
Yu Seto (b. 1994, Odawara, Kanagawa, Japan) graduated from the Department of Sculpture at Tokyo University of the Arts and completed his MFA in Sculpture at the same university. Drawing on his interest in natural science, he creates sculptures of wild animals, primarily using terracotta. By leaving traces of his touch and the sculpting process visible on their surfaces, Seto explores the structures and movements of living beings and the essence of their existence. In addition to exhibiting in Japan and internationally, his practice extends across disciplines, including collaborations in fashion and design.
Kisho Kakutani
Kisho Kakutani (b. 1993, Kobe, Hyogo, Japan) completed his PhD in Japanese Painting at Tokyo University of the Arts in 2022. Using everyday snapshots taken with his smartphone as source material, he creates paintings that explore the ambiguity of memory and visual perception. In series such as *Frosted Window* and *Curtain*, Kakutani deliberately obscures parts of the image with visual noise resembling frosted glass or curtains, inviting viewers to complete what is unseen through their own memories and imagination. His practice reconsiders the act of seeing in an age of visual overload, positioning painting as a device for generating new images within the viewer’s mind.
Kisho Kakutani (b. 1993, Kobe, Hyogo, Japan) completed his PhD in Japanese Painting at Tokyo University of the Arts in 2022. Using everyday snapshots taken with his smartphone as source material, he creates paintings that explore the ambiguity of memory and visual perception. In series such as *Frosted Window* and *Curtain*, Kakutani deliberately obscures parts of the image with visual noise resembling frosted glass or curtains, inviting viewers to complete what is unseen through their own memories and imagination. His practice reconsiders the act of seeing in an age of visual overload, positioning painting as a device for generating new images within the viewer’s mind.
Shoko Mihira
Shoko Mihira
Born in Tokyo in 1979.
His work explores a unique world of monsters, shaped by inner emotions and personal experiences drawn from everyday life.
Using burner-work techniques, he melts and forms glass tubes into intricate shapes,
encasing liquids and threads to visualize an internal world.
Both humorous and enigmatic, his creatures evoke a distinct sense of narrative and lingering presence.
Shoko Mihira
Born in Tokyo in 1979.
His work explores a unique world of monsters, shaped by inner emotions and personal experiences drawn from everyday life.
Using burner-work techniques, he melts and forms glass tubes into intricate shapes,
encasing liquids and threads to visualize an internal world.
Both humorous and enigmatic, his creatures evoke a distinct sense of narrative and lingering presence.
