この度、四季彩舎では4回目となる「quintet」と題した醍醐イサム、長谷川由美、平澤重信、 藤倉久美子、ミズテツオの五人（クインテット）展を開催します。
平面作品、立体作品の5人による意欲的な作品を御覧ください。
quinted vol.4
醍醐イサム 長谷川由美 平澤重信 藤倉久美子 ミズテツオ
2014年2月17日（月）―2月26日（水）
11:00-18:30 日曜休
※初日は14:00より営業、17:00よりオープニングパーティを開催します。
#2014 #ミズテツオMizu #平澤重信JyushinHirasawa
Jyushin Hirasawa
Born in Nagasaki Prefecture in 1948. A member of the Jiyu Bijutsu Association since 1978. Since the 1990s, the artist has presented works primarily through solo exhibitions. Through distinctive compositions based on dispersed motifs, the artist explores the reconstruction of memory and landscape. Working across a range of media—including oil painting, ink, and reverse glass painting—the practice investigates the structure and dynamism of pictorial space itself.
Born in Nagasaki Prefecture in 1948. A member of the Jiyu Bijutsu Association since 1978. Since the 1990s, the artist has presented works primarily through solo exhibitions. Through distinctive compositions based on dispersed motifs, the artist explores the reconstruction of memory and landscape. Working across a range of media—including oil painting, ink, and reverse glass painting—the practice investigates the structure and dynamism of pictorial space itself.
Tetsuo Mizu
Tetsuo Mizu
A painter who gained recognition in the 1980s with his “Flag Series.”
By combining international maritime signal flags,
he developed a unique visual language that merges symbolic systems with abstraction.
Based in Italy, France, and Spain,
he exhibited widely and received critical acclaim in Europe.
His works are characterized by finely structured compositions,
with matte, volumetric surfaces that have been noted for their affinity with ukiyo-e.
Tetsuo Mizu
A painter who gained recognition in the 1980s with his “Flag Series.”
By combining international maritime signal flags,
he developed a unique visual language that merges symbolic systems with abstraction.
Based in Italy, France, and Spain,
he exhibited widely and received critical acclaim in Europe.
His works are characterized by finely structured compositions,
with matte, volumetric surfaces that have been noted for their affinity with ukiyo-e.
