ブルーブルー展 vol.6
出品作家
池田学 市原なな 代 上野謙介 オーガフミヒロ 岡本叔子 岡本順子 金井路子 岸川理子
國定正彦 倉藤紀子 小林弥生 佐藤貴志 山東大記 但野有紀 寺床まり子 長濵伸恵
パヴェル・ベドゥナーシュ 長谷川由美 ヒロトミザワ 藤井マリ 美月桃子 ミズテツオ
ミズノホナル ムラカズユキ 森三千代 渡邉有葵
2019年2月18日（月）ー27日（水）
11:00-18:30 日曜休
#2019
Junko Okamoto
Junko Okamoto
Born in Kanagawa in 1972.
Her work explores the weight of material and the beauty of weathering,
capturing traces of time within the surface.
By layering plaster and repeatedly soaking it with pigments,
she creates surfaces that evoke a sense of duration and mass.
In her pencil drawings, she builds up marks through repeated acts of drawing and erasing,
resulting in images that balance delicacy and strength.
Junko Okamoto
Born in Kanagawa in 1972.
Her work explores the weight of material and the beauty of weathering,
capturing traces of time within the surface.
By layering plaster and repeatedly soaking it with pigments,
she creates surfaces that evoke a sense of duration and mass.
In her pencil drawings, she builds up marks through repeated acts of drawing and erasing,
resulting in images that balance delicacy and strength.
Tetsuo Mizu
Tetsuo Mizu
A painter who gained recognition in the 1980s with his “Flag Series.”
By combining international maritime signal flags,
he developed a unique visual language that merges symbolic systems with abstraction.
Based in Italy, France, and Spain,
he exhibited widely and received critical acclaim in Europe.
His works are characterized by finely structured compositions,
with matte, volumetric surfaces that have been noted for their affinity with ukiyo-e.
Tetsuo Mizu
A painter who gained recognition in the 1980s with his “Flag Series.”
By combining international maritime signal flags,
he developed a unique visual language that merges symbolic systems with abstraction.
Based in Italy, France, and Spain,
he exhibited widely and received critical acclaim in Europe.
His works are characterized by finely structured compositions,
with matte, volumetric surfaces that have been noted for their affinity with ukiyo-e.
MOURA
MOURA
Born in Ichihara, Chiba in 1954.
A painter who has continued his practice while traveling the world like a pilgrim.
Working across various media—including oil painting, wax techniques, etching, drawing, and wood sculpture—
his practice is consistently rooted in the act of drawing lines.
Layered and unerasable, his lines embody physical sensation and accumulated time,
creating a distinctive expression where intuition and experience intersect.
MOURA
Born in Ichihara, Chiba in 1954.
A painter who has continued his practice while traveling the world like a pilgrim.
Working across various media—including oil painting, wax techniques, etching, drawing, and wood sculpture—
his practice is consistently rooted in the act of drawing lines.
Layered and unerasable, his lines embody physical sensation and accumulated time,
creating a distinctive expression where intuition and experience intersect.
